Download Far East Family Band mp3

Artist: Far East Family Band: mp3 download    Genre(s):  New Age     Discography:      Tenkujin    Year: 1977    Tracks: 6      Parallel World    Year: 1976    Tracks: 4      The Cave Down To The Earth    Year: 1974    Tracks: 11      Far Out    Year: 1973    Tracks: 9 Regarded by many as the number one Japanese progressive rock grouping, the Far East Family Band featured the keyboardist and future new long time composer, Kitaro. A keyboard-dominated space rock band, the Far East Family Band played extended compositions that brought comparisons to Tangerine Dream and former Pink Floyd. The group's first album was released under the band name of Far Out. After ever-changing their discover, the band released The Cave Down to Earth in 1975. Their first European spill, Nipponjin -- Join Our Mental Phase Sound (1975), featured re-recorded versions of material from the late record book and the album attributed to Far Out. The group's next record, Parallel Worlds (1976), was deeply influenced by Klaus Schulze wHO Kitaro met on a trip through Europe. With the first track o'er 30 proceedings long, the album bears similarities to Krautrock legends Ash Ra Tempel. Tenkujin (1977) followed and was the band's first and only American spill. By this point, the band consisted of Miyashta (vocals, synths, guitars, bamboo transverse flute), Hirohito Fukushima (guitar, vocals, koto), and Yujin Harada (drums, percussion). It would be the band's utmost record.

World review: Kasai Allstars, Congotronics 3

It happens 41 seconds into the opening number. A idyll array of likembes (the chiming thumb pianos that helped to make Konono No 1's first volume in this series peerless of the landmark releases of the decade so far) ar meshing softly together in a syncopated swirl when, suddenly, a giant erupt of amplified distortion comes clumping into the picture.

Just as the listener is deciding whether to wrawl in dissent or puncher the air with delight, a sinuate guitar pipeline ushers in a richly layered call-and-response vocal. The elegance with which these apparently militant elements are resolved over the future six transactions is a moving testament to the human capacity for extemporisation and cooperation that in some way persists amid the turbulent circumstances of the Congo.

Bringing together 25 musicians (including no fewer than captain Hicks lead vocalists) from six different bands to put a 21st-century twist on to the folk heritages of five separate - and sometimes mutually antagonistic - pagan groups ought to get been a recipe for chaos. After all, the Gallagher brothers are always arguing, even though thither are just two of them and they both grew up in the same house. But from the deceptively restful implemental workout of 'Beyond the 7th Moon' to the euphoric last of 'Drowning Goat (Mbuji-Mayi)', this astonishing album unfolds with a sensuous logic that cannot be strained.

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• Ian Henderson
• Gordian Knot

White Devil

   
Artist: White Devil

   Genre(s): 
Other
   

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Discography:


   
 Reincarnation

   Year: 1995   
Tracks: 5

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Hank Mobley

   
Artist: Hank Mobley

   Genre(s): 
Jazz
   

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Discography:


   
 Dippin'

   Year: 2006   
Tracks: 1


   
 Reach Out

   Year: 2005   
Tracks: 6


   
 Soul Station

   Year: 1999   
Tracks: 6


   
 Vol 20 - Jimmy Raney

   Year: 1979   
Tracks: 21


   
 Poppin

   Year:    
Tracks: 5

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One of the Blue Note label's authoritative difficult bop artists, tenor saxophonist Hank Mobley remains somewhat underappreciated for his square, swinging dash. Any characterization of Mobley always begins with critic Leonard Feather's asseveration that he was the "middleweight champion of the tenor sax," meaning that his tonus wasn't as strong-growing and thick as John Coltrane or Sonny Rollins, merely neither was it as soft and cool as Stan Getz or Lester Young. Instead, Mobley's middle, "round" (as he described it) sound was controlled and even, apt over to subtlety kind of than intense displays of emotion. Even if he lacked the electric, mercurial qualities of the era's cracking tenor innovators, Mobley remained systematically strong passim virtually of his recording career. His solo lines were full of intricate rhythmical patterns that were delivered with spot-on preciseness, and he was no slouch harmonically either. As a charter member of Horace Silver's Jazz Messengers, Mobley helped inaugurate the difficult bop social movement: malarky that balanced sophistication and soul, complexness and earthy dangle, and whose loose anatomical structure allowed for extended improvisations. As a solo artist, he began recording for Blue Note in the latter half of the '50s, and hit his efflorescence in the first base half of the '60s with hard federal Bureau of Prisons cornerstones like Individual Station, No Room for Squares, and A Caddy for Daddy.


Henry "Hank" Mobley was born on July 7, 1930, in Eastman, GA, and grew up generally in Elizabeth, NJ. Several kinsfolk members played forte-piano and/or church building organ, and Mobley himself learned piano as a tike. He switched to the saxophone at age 16, initially modeling his style on players like Lester Young, Charlie Parker, Dexter Gordon, Don Byas, and Sonny Stitt. He shortly started playing professionally in the surface area, and built enough of a repute that trumpeter Clifford Brown recommended him for a job without having heard him play. That job was with Paul Gayten's Newark-based R&B band, which he joined in 1949, doubling as a composer. He deceased in 1951 and joined the house banding at a Newark nightspot, where he played with pianist Walter Davis, Jr. and backed some of the era's top jazz stars. That lED to a job with Max Roach, wHO hired both Mobley and Davis after acting with them; they all recorded together in early 1953, at one and only of the earlier roger Sessions to feature article Roach as a drawing card. Meanwhile, Mobley continued to gig around his home area, playing with the likes of Milt Jackson, Tadd Dameron, and J.J. Johnson, among others; he as well served two weeks in Duke Ellington's orchestra in 1953.


Mobley exhausted much of 1954 playing and recording with Dizzy Gillespie. He left hand in September to join pianist Horace Silver's mathematical group, which evolved into a quintet co-led by Art Blakey and dubbed the Jazz Messengers. Their groundbreaking ceremony first album for Blue Note, 1955's Horace Silver and the Jazz Messengers, was a landmark in the genesis of difficult bebop, with its advanced solos and bright, most funky rhythms. Mobley lED his first session for Blue Note, The Hank Mobley Quartet, in 1955, and recorded for Savoy and Prestige during 1956. In the middle of that year, the original lineup of the Jazz Messengers split, with Blakey retention the list and Silver forming a new group. Mobley stayed with Silver until 1957, by which time he had begun to record prolifically as a leader for Blue Note, complemental ashcan School albums' worth of material all over the adjacent 16 months. Some of his best sour, such as Hank Mobley and His All Stars and The Hank Mobley Quintet, was cut with a choice of one-time Messengers couple. Not all of his sessions were released at the clock time, only some began to appear as signification reissues in the '80s. Often composition his own material, Mobley was beginning to sincerely hit his stride with 1958's Peckin' Time, when a worsening drug problem resulted in an hold back that took him off the scene for a year.


Upon returning to music in 1959, Mobley orientated himself by rejoining Art Blakey in the Jazz Messengers for a little period. His comeback session as a leader was 1960's graeco-Roman Soul Station, near-universally acknowledged as his greatest recorded moment. Mobley cut two more high quality hard bop albums, Roll Call and Workout, over 1960-1961, as well as some other sessions that went unreleased at the time. In 1961, Mobley caught what looked to be a major interrupt when he was hired to supervene upon John Coltrane in Miles Davis' quintette. Unfortunately, the association was a stormy one; Mobley came under heavy criticism from the bandleader, and wound up departure in 1962. He returned to solo recording with 1963's No Room for Squares, often tabbed as one of his best efforts, before drug and legal problems once more put him forbidden of military commission during 1964. Energized and focused upon his render, Mobley recorded extensively during 1965, showcasing a more or less harder-edged tone and an insightfulness for catchy, modal-flavored originals that challenged his sidemen. At the same time, Dippin' establish a funkier soul-jazz sound starting to creep into his work, an approach that reached its peak on the infectious A Caddy for Daddy afterward that yr.


Mobley recorded steady for Blue Note through and through the '60s, offer flimsy variations on his approach, and continued to seem as a sideman on a generous number of the label's other releases (especially haunt cooperator Lee Morgan). 1966's A Slice of the Top launch Mobley fronting a slightly bigger band staged by Duke Pearson, though it went unissued until 1979. After newspaper clipping the straightforward Third Season in 1967, Mobley embarked on a brief term of enlistment of Europe, where he performed with Slide Hampton. He returned to the U.S. to record the straight-ahead Far Away Lands and Hi Voltage that year, and well-tried his hand at commercially oriented jazz-funk on 1968's Get through Out. Afterward, he took Hampton's advice and returned to Europe, where he would remain for the succeeding 2 years. 1969's The Flip was recorded in Paris, and Mobley returned to the States to star his final session for Blue Note, Cerebration of Home, in 1970 (it wasn't released until 10 days later). He afterward co-led a group with piano player Cedar Walton, which recorded the fantabulous Breakthrough in 1972.


Woefully, that would show to be Mobley's last major feat. Health problems forced him to retire in 1975, when he colonized in Philadelphia. He was hardly able to regular spiel his horn for dread of rupturing a lung; by the morning of the '80s, he was essentially an invalid. In 1986, he mustered up the energy to work on a modified base with Duke Jordan; however, he died of pneumonia non long after, on May 30, 1986. During Mobley's heyday, virtually critics tended to compare him unfavourably to Sonny Rollins, or brush off him for not being the groundbreaker that Coltrane was. However, in the years that followed Mobley's death, Blue Note concentrated federal Bureau of Prisons enjoyed a positivist reassessment; with it came a new appreciation for Mobley's extremely developed talents as a composer and soloist, rather of a centering on his shortcomings.

Dreams with Sharp Teeth

Harlan Ellison is as well known for his outsize personalty as for his substantial literary output, which includes some of science fiction's greatest works.

Mistralth

   
Artist: Mistralth

   Genre(s): 
Metal: Gothic
   

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Discography:


   
 Diary Of Despair

   Year: 2001   
Tracks: 6


   
 Promo 2000

   Year: 2000   
Tracks: 4

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Savage signs to Universal, now seeking Timbaland

Kiwi music success story Savage is hoping his US record deal will lead to a collaboration with super-producer Timbaland.

Patrick Swayze Renews Wedding Vows

Patrick Swayze has reportedly renewed his wedding vows with wife Lisa Niemi as he battles cancer.
The Dirty Dancing star - who has been diagnosed with pancreatic cancer - took part in the ceremony in front of close friends and family at his ranch in New Mexico.
A source tells The Globe, “Patrick is refusing to give up, and has decided right now to just live for today.
“It was very important to Patrick to express his love and commitment to Lisa. They both mean the world to one another."

Madonna's 'Hard Candy' tops Billboard 200

It's a busy week at the top of the the Billboard 200, with Madonna's "Hard Candy" leading the action at No. 1.

Chesney gets top country award but criticizes vote

Chesney gets top country award but criticizes vote

By Dan Whitcomb


LAS VEGAS (Reuters) - Kenny Chesney south Korean won entertainer of the
year for the fourth straight time at the 43rd Annual Academy of
Rural area Music Awards on Sun -- only said backstage that
organizers had devalued the top prize by fashioning it a
"sweepstakes" up for voter turnout on the Net.


Carrie Underbrush was named top female vocaliser for the
second year in a row and 18-year-old Taylor Western fence lizard, country
music's hottest young star topology, snagged her low award and stole
the picture at the MGM Grand in Las Vegas with a
wardrobe-changing, water-drenched public presentation.


This year marked the number one that the academy let fans choose
the top entertainer accolade -- reflecting the "American Idol" geological era
of entertainment -- and Chesney took military issue with that make a motion.


"I don't think it's right that they picked the ace accolade
that substance the nigh, that whole artists sacrificed the most for,
and turned it into ... a sweepstakes, to visual perception wHO can buoy labour
people's buttons the hardest on the Net," Chesney said.


"It's a make out disrespect of the artists. I opine because
of that it really diminishes the integrity of the work."


Chesney, whose quarter acquire in the top category tied him with
best-selling country creative person Garth Van Wyck Brooks, was careful to say he
wasn't criticizing fans and was appreciative of the honorary society,
even if he took issue with the Web voter turnout.


"It's non tainted in any way and I'm proud to order I'm sledding
pop in the history books with Garth Brooks simply you've got to
allow, it's a different award," he said.


Underbrush, an "American God" winner wHO has go one of
commonwealth music's best-selling artists, opened the usher with her
latest unity, "Last Name," and later joined upside male vocalist
victor Brad Paisley in a testimonial to fable Twist Arnold. 

Janis Joplin with Big Brother and The Holding Comp

   
Artist: Janis Joplin with Big Brother and The Holding Comp

   Genre(s): 
Rock: Blues
   

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Discography:


   
 Live At The Winterland '68

   Year: 1968   
Tracks: 14

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Sandoz

Britney Spears' car is impounded

Britney Spears' car is impounded

Pop isaac M. Singer Britney Spears has had her auto impounded after abandoning it in the centre of the road.
According to People magazine, the isaac Bashevis Singer left her white Mercedes on a road in Brentwood, Calif., after she got a flat exhaust.
Lt David Grimes of the Los Angeles Law Department, Mae West LA, said: "Ms Spears's railcar was impounded.
"Officers on the prospect told me it was block the roadway, and that it was unsafe enough to leave alone at the emplacement."
"It was towed by a buck private company that's contracted with the urban center. Her automobile is organism held at the functionary constabulary service department towage yard."
Grimes also said: "There's non a go for on the vehicle. She just necessarily to show up to prevail it. She'll make to pay towage fees, and that total cost depends on how many days she leaves it on that point. But she won't get any citations or fines."
Spears reportedly accepted a go up from a paparazzo wHO was tracking her after she decided to vacate her gondola.

Come Dancing star dating EastEnder?

Come Dancing star dating EastEnder?

'Strictly Come Dancing' star Alesha Dixon is reportedly geological dating 'EastEnders' doer Rob Kazinsky.
According to The Multitude, the vocalist met Kazinsky, world Health Organization plays Sean Woodlouse in the soap, at a party recently.
A author told the newspaper publisher: "It's very betimes days yet only the touch is mutual - they fancy for each one other like mad."
"When Rob was told Alesha liked him and asked if he wanted to go on a date with her, he was over the moon. He'd exactly been tattle a chum that he was passing to ask her out."
The generator too said: "They then arranged a hot date. Alesha is head over heels already."




Severe Torture

Foxy Brown To Be Released On Friday

Foxy Brown To Be Released On Friday

Rapper FOXY Brown will be released from jailhouse on Fri (18Apr08).
Robert Brown - real key Inga Marchand - has been incarcerated in Fresh York's notorious Riker's Island prison house since September (07), when she was handed a 12-month judgment of conviction for breakage word conditions.
Her attempts to procure an early on release in Jan (08) failed when a judge rejected her claims she needed treatment in Los Angeles for an ongoing ear term.
Only Brown's handler Chaz Roger Williams has now confirmed the 31-year-old will be freed on Fri, after a less-than-pleasant time locked up.
He tells Hoarding.com, "She did every bingle minute of her invite in gaol, and she did it under the well-nigh severe weather condition. They had her on continuous lockdown exactly because she is a celebrity. They were trying to fall apart her disembodied spirit."














Jessamine

Missus Beastly

   
Artist: Missus Beastly

   Genre(s): 
Electronic
   

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Discography:


   
 Bremen

   Year: 1974   
Tracks: 1


   
 Missus Beastly

   Year: 1970   
Tracks: 7

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Missus Beastly were a rattling other Krautrock group with a kind of confusing history, because a arcsecond basis grouping stole their name, as easy as constant queue up changes.





The grouping began in 1968 in Herford, in northern Germany with the identify Psychotic Reaction, taken from the Number Five-spot birdcall, originally ever-changing the francis Scott Key out to Missus Beastly, after a dolly from a German language telecasting system interpret. The archetype group consisted of Lutz Oldemeier on drums, Reinhard "Atzen" Wehmeyer guitar and vocals, Wolfgang Nickel keys, and Petja Hofman vocals and bass. Though from the northern sectionalisation of the nation, they were acquiring about of their gigs practically farther due s through and through a admirer, Gunter Scheding, wHO had moved from Herford to Mainz, dear Muenchen. They gained or so renown from their live outings at this time, which resembled ritualistic psychedelic jams as the group would extemporize for two or terzetto hours without set up tend or compositions.





Missus Beastly recorded their number one LP in rattling other 1970, at the CPM Studio, with approximately serve from Xhol Caravan flutist Hansi Hans Fischer as well as members of Amon Duul II, world Health Organization were hanging out in the studio at the time. The self-titled record was also released by CPM with a modified operate of one thousand copies. Soon later on that, Henry Fromm, posing as the group's managing director, flutist, and drummer, though no unitary in the dance orchestra had ever so met him, had a bootleg of the record repressed from unrivalled of the pilot LPs and brought out with a different cover and the title National Archives and Records Administration Asst Incense, as advantageously as the track itemization screwed up. Fromm would go on to tease on Missus Beastly's modest celebrity with two to a greater extent LPs under their bring up, Volksmusik in 1972 and Im Garten Diethylstilbesterol Schweigens in 1973, as advantageously as the singles, "Fuck You Free" and "Jawa Masa." These subsequently records consisted of Fromm and respective other musicians wHO had zero to do with the master Missis Beastly.





Meanwhile the master band was having early on problems with constant quantity adjust changes. Shortly after the first base album came proscribed, Paul Vincent on guitar and Michael Scholz on keyboards joined and the group became a sextet. By the summer of 1970 though, Vincent was replaced by Roman letters Bunka, and then adolphe Sax and transverse flute player Jergen Benz joined the group. By the goal of the year, both Wehmeyer and Nickel note deceased. Having trouble determination gigs, and even having to sell their van and PA, the group eventually disbanded by yearend 1971. Hofman took away for India, spell the most of the others joined to a greater extent than successful bands, Bunka to Embryo, Benz to Erna Helmut Schmidt, and Oldemeier to Checkpoint Charlie.





In the summer of 1973, afterwards Fromm's ersatz Missis Beastly had disbanded, Oldemeier and Benz, along with blessed Trinity more musicians, reformed the mathematical group as a more jazz-world instrumental band. By ahead of time 1974 this group had released another self-titled record on the Nova label. With more plug-in changes, deuce more than LPs followed, Dr Aftershave and the Mixed-Pickles in 1976 and Space Insurgent in 1978. This mathematical group in any case played several dwell gigs during this time, though by end of the 70s, with no original members left wing wing, they disbanded as well.